Where Fujifilm’s GFX 50S is all businesslike and down-to-earth practicality, the Hasselblad X1D is more about style and emotion. But does this make it a better camera?
Will mirrorless camera designs have as much impact on the digital medium format market as they have elsewhere? The GFX 50S represents an emphatic yes.
Despite its mirrorless camera successes, Fujifilm is keeping the faith with its fixed lens classic. And the 4th generation model is simply brilliant.
Panasonic has pumped just about everything on its latest Lumix G flagship, creating a seriously capable workhorse for both photographers and videographers.
Form an orderly queue please. Fujifilm’s new mirrorless digital medium format camera - a sneak peek ahead of our full review.
A potent threat to the enthusiast D-SLR, Sony’s E-mount mirrorless flagship offers the same capabilities and performance without the size or the weight.
Nikon has upgraded or revised every key element of its pro-level D-SLR, so is it a dream machine or a dinosaur? Regardless, the new autofocus system is a revelation.
Epson’s gloss-orientated R2000 has gained a loyal following and it now gets the ‘SureColor’ makeover with some refinements to keep it competitive.
BenQ's displays are well-known, but the company is now also making photo monitors. Its 27-inch SW Series panel was good enough to win a 2016 TIPA Award.
Already an absolute gem of a camera, Olympus has made its entry-level OM-D model even more enticing with a restyled design that’s pure OM in spirit.
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