Tamron’s first Sony FE mirrorless mount lens is a standard zoom with the twin attractions of an f2.8 constant aperture and an affordable price tag.
If you think Fujifilm got the mirrorless camera formula pretty well spot-on with the X-T2, wait until you see what it’s done with the X-T3.
Canon’s full-35mm mirrorless camera system employs a different approach to Nikon’s, continuing the philosophical individuality of the two great rivals.
Definitely worth the wait, but there’s now quite a bit of ground to make up on its better established rivals. It can do it, and here’s why.
The new entry-level X-T series Fujifilm mirrorless camera is based on the X-A5, so cheaper than the X-T20. Is anything that’s important missing?
The Mark III version of the ‘entry-level’ A7 model betters its predecessor in just about every way.
The GX9 might not be quite what you expected,as Panasonic repositions its star RF-styled model, but it’s still a very attractive package.
A brand new ‘APS-C’ D-SLR for under $500? How does Canon do it? Ah, well, suffice to say it will still make a profit on every one it sells.
Star of stills and screen, Canon’s EOS 5D has been its most successful D-SLR, and the 4th-gen model is designed to keep it at the top of its game.
Fujifilm’s mid-range RF-style X Mount camera receives a comprehensive upgrade – more res, more focusing points and more speed everywhere.
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