A self-managed prog god with a keen eye for architecture, Plini brings a fresh new angle to the world of guitar music. So much so, Steve Vai has even described him as “the future of exceptional guitar playing.”
It's easy to believe Josh Homme’s platitudes about Australia being his favourite place. When he says he loves us, we buy it.
Courtney Barnett brought the Sydney Opera House an unusual, yet homely atmosphere for a set that far outweighed its grandiose backing.
Rock isn’t dead, but one of its biggest names are breathing some new life into it anyway. Gravity is the ethereal new opus from Bullet For My Valentine, and Matt Doria needs to know just how the hell it came to be.
In which one of Australia’s most compelling artists finds new inspiration with young blood, pitch pedals and the least radio-friendly name in the industry.
Four albums in, Luca Brasi have made the ambitious pub-punk masterpiece they always wished they could. Matt Doria finds out what makes Stay click so well with axeman Tom Busby.
Kaki King takes visuals and turns them into music via some surprising methods.
Its 18th edition selling out in a matter of mere seconds, Splendour In The Grass continues to be Australia’s biggest and most diverse music festival, with a lineup focusing equally on the youngins desperate to prove their might and the legacy acts we all know and love.
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