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There's something about nu-metal that people just can't seem to shake. It still affects Korn, too.
While retaining the lowkey shoegaze chillness that’s come to define them since shedding their emo‐punk roots, LP4 sees Turnover dial up the liveliness with a groovier, more synthpop‐centric flavour.
With three of Australia's most venerable singer-songwriters at its helm, Dyson Stringer Cloher is here to make indie-rock history.
Sydney thrashcore titans Bare Bones have long reigned over the city’s underground, but with their slick and spicy new set of mosh anthems, we predict a crack into the mainstream on their horizon.
Three decades on, Ian Moss' debut solo outing remains a cornerstone of Australian rock and pop culture. Matt Doria riffs with the Alice Springs icon on the album's 30th anniversary celebrations, what's next instore for him (and, of course, Cold Chisel), and his particularly peculiar guitar collection.
Fuelled by catharsis and a drive to push themselves in a bold new direction, feminist punk luminaries Sleater-Kinney make LPX their biggest head-turner yet.
Heavy metal rules – a fact of life, and the fiery new album from Steel Panther.
Busby Marou continue to make Australia swoon with their spellbinding blend of heart-on-sleeve storytelling and ear-tickling blues jams.
A triumphant tour-de-force of devoted collaboration, the new Twin Peaks album offers ten extremely juicy reasons to jump onboard their hype train.
INTERVIEW: James Johnson-Flint is CEO of Cambridge Audio and founder of Audio Partnership, which bought the company in 1994. We talked about the past, present, future, and in particular, the Edge range of electronics.
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