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Restless Noise is an aptly titled, 17-minute tidal wave of fuzzy leads, roaring hooks and absurdly catchy choruses.
Alex Wilson chats with one of our biggest homegrown musicians to touch on his deep theories behind songwriting and guitar solos, and provide a check-in for those fighting mental illness in the music industry.
Few of rock’s minds are as sharp, dramatic or whimsical as that of Dallon Weekes. With his newest project, I Don’t Know How But They Found Me (or iDKHow), the ex-Panic! At The Disco and Brobecks oddball turns his mind to the DIY dynamism and colourful quirkiness of the ‘80s.
Two decades into their tenure, Thrice are still the undefeated kings of post-hardcore. Ahead of their 2019 Australian tour, Matt Doria sits down with guitarist Teppei Teranishi to figure out just what their secret is.
From Sydney’s underground to the international spotlight: the dramacore deviants in Hellions are making catastrophically huge waves in the rock scene, and with Rue, those are only getting bigger. Matt Doria dives deep. Photo by Alex Jay.
Though only two EPs deep in their tenure, Moaning Lisa have cemented themselves as a driving force in the future of Australian rock.
Abendigo proves once more that Nolan and Sapone are a true post-hardcore power couple.
For the first time in years our loud, riff-laden, hard-rocking festival scene felt whole again.
Running just shy of a half-hour, the debut album from Sydney’s newest emo upstarts is packed from wall to wall with distorted juts, crystal‑clear noodling and vocals that pierce through the heart like doughy, scuzzily produced shotgun blasts.
Sarah Comey calls Basement axeman Alex Henery with the question on everyone’s lips: how did the Suffolk emos make their fourth album so. damn. good!?
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