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Isaac Ware has been working at Sydney’s Gladesville Guitar Factory for over a decade, and he’s learned a fair bit in the process. We caught up with him to talk about what makes the right guitar, and, of course, the right cup of coffee.
Jerry Cantrell looked to the tones of the band’s first two records for inspiration on the new Alice In Chains album, Rainier Fog.
Def Leppard return to Australia in November to celebrate their mega‑smash Hysteria album. Phil Collen will be bringing some new guitar gear with him, too.
Rue is a true evolution for a band once known for little more than their noise complaint-spurring shows.
Mark ‘Diesel’ Lizotte’s iconic Stratocaster (from the Johnny Diesel & The Injector) days is back in the form of a new Fender signature model.
Wunderbar: the new album from Aussie rock icons The Living End, and the German word to describe it. Matt Doria sits down with frontman Chris Cheney to riff on the band’s most crucial, confident and organic album in 20 years.
Bigger, brighter and giving less f***s than ever, the politically charged pop-punks in Muncie Girls are making tsunami-sized waves with LP2.
There’s something different about Dan Brown’s guitar tones on the new Amity Affliction album. Turns out he’s made the switch to the Big F.
Though it admittedly stales towards the end, Dead Letter Circus is a must-listen for all progheads.
Halestorm are keeping the flame for old-school guitar rock alive. frontwoman Lzzy Hale talks about writing songs you don’t ultimately like, and why she stopped seeing her first guitar teacher.
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