An all-new optical design plus the addition of key new features such as weather-proofing greatly increase the potential of Tamron’s ultra-wide zoom for ‘APS-C’ D-SLRs.
Nikon makes the ‘APS-C’ pro-level D-SLR sexy again with the D500. It has everything that the D5 has and a lot less… which is a Very Good Thing.
Broncolor does away with cables completely for its battery-powered Siros series monoblocs which also offer the convenience of remote control via WiFi using a mobile device.
The SL represents Leica’s future in professional cameras, an enormous challenge and includes taking on the best of the pro-level D-SLRs.
Profoto takes the convenience of auto flash exposure control into the studio as its updated D Series monoblocs get both wireless TTL and high speed sync.
The D5 is Nikon’s most accomplished D-SLR to date, but is it enough to stop pros contemplating a mirrorless camera for their next upgrade?
Chinese company Godox shows the way ahead in speedlight design, dumping fiddly sets of AA-size batteries for a powerful lithium-ion power pack.
Profoto’s B2 combine elements of a speedlight on-camera flash system with those of an on-location studio flash system.
Elinchrom continues to refine its portable studio flash products. This Quadra battery-powered location pack is the most compact and capable yet.
You can moveup to 4K resolution without breaking the bank via ViewSonic’s new 27-inch LED-backlit 4K monitor screen.
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