The Lumix G9 is Panasonic’s answer to the OM-D E-M1 Mark II, and so another mirrorless challenger to higher-end D-SLRs.
The original EOS 6D's full-35mm sensor was still a big plus. The Mark II is the much more complete machine, especially if your budget won’t stretch to a 5D Mark IV.
When Canon says that the G1X III is “the best compact camera we have ever made”, you have to sit up and take some notice.
If you’re into sports or wildlife photography, the new 100-400mm telezoom is arguably one of Tamron's best recent new arrivals.
In one way or another, Polaroid has never really gone away, but this amounts to getting the old band back together...
The original 35mm film CL was designed to widen Leica’s appeal among enthusiast photographers and its digital namesake is intended to do exactly the same thing.
Canon finally reveals a very competitive mirrorless camera. Good news for Canon fans, bad news for the rest of the mirrorless world.
Olympus gives its OM-D flagship even more fire power, further leveraging its significant size advantage.
Where Fujifilm’s GFX 50S is all businesslike and down-to-earth practicality, the Hasselblad X1D is more about style and emotion. But does this make it a better camera?
Will mirrorless camera designs have as much impact on the digital medium format market as they have elsewhere? The GFX 50S represents an emphatic yes.
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