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Hasselblad has introduced its widest-angle prime lens ever, a 21mm f4.0 XCD mount model for its digital medium format mirrorless camera system.
The Leica SL gains a versatile third zoom lens in the Super-Vario-Elmar-SL 16–35/3.5–4.5 ASPH.
It’s a sure sign a camera system is making significant progress when there’s a growing list of independent lens makers introducing models in its mount. Sony’s FE mount – for its full-35mm mirrorless cameras – is already supported by numerous lens brands which will soon be joined by Tamron.
Sony’s latest program of upgrades for its A7 series of full-35mm format mirrorless cameras continues with the introduction of the A7 III which joins the A7R III announced a few months ago.
It’s a sign of the growing importance of Sony’s FE mount full-35mm mirrorless camera system that many of the independent lenses makers are introducing compatible products. And it’s a significant boost for the system that Sigma has announced nine of its much-awarded Art line lenses will be available in the FE mount soon.
Genuinely new developments in photography are becoming few and far between, but Canon has definitely come up with significant one in its Speedlite 470EX-AI accessory flash unit… which has automatic bounce flash control.
For anybody who wants the traditional 70-210mm telezoom in a smaller, lighter and more affordable package, Tamron has just added an f4.0-speed version to its line-up of Di series lenses for full-35mm D-SLRs.
Fujifilm is targeting film-makers as well as photographers with its new range-topping X-H1 X mount ‘APS-C’ mirrorless camera which it’s describing as “the highest performing model in the X Series range”. The ‘H’ stands for hybrid.
Leica has launched a new series of high-performance prime lenses for its SL full-35mm mirrorless system.
Nikon’s optical engineers have overcome a number of technical challenges to incorporate a switchable 1.4x tele-converter into a telephoto zoom lens.
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